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Observer Editions: Abbott Miller

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The first in a new series of video interviews with people making books, Pentagram partner Abbott Miller talks to Design Observer about his recent monograph Abbott Miller: Design & Content:

And this is just a reminder to myself as much as anything: the fantastic typeface on the book’s cover is Calibre from Klim Type Foundry.

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Midweek Miscellany

The typographical cover for Oscar Guardiola-Rivera’s What If Latin America Ruled the World designed by Sarah Greeno at Bloomsbury UK.

The Gall — The inimitable  John Gall, VP and Art Director of Vintage / Anchor Books, interviewed for a rather super looking new magazine called Design Bureau:

[O]nce you have a nice solid concept, the rest of the process can almost seem effortless; enjoyable, even. And these, of course, are usually the best ones.” Gall describes his creative process as threefold: research, concept and execute. “Read the books, come up with some ideas, flesh them out, see what is sticking,” he says. However, it’s the process of getting a book’s cover approved that poses the greatest challenge for Gall and his team. “If the publisher comes back and says, well, ‘This needs really big type with a chicken on it’, that obviously means they think this is kind of important,” he says. “The re-working, dealing with all the feedback (some warranted, some moronic) ‘make this bigger’, ‘make this smaller’, ‘my psychic thinks it should be blue’—that is what separates the men from the boys,” he says.

John Gall by Noah Kalina

The article is accompanied by photographs by Noah Kalina, and includes John’s tips for lunch in New York. What more could you ask for? An interview with designer Abbott Miller you say? Well, Design Bureau have one of those as well.

Exit Interview — Former New York Times Design Director Khoi Vinh on designing the newspaper’s paywall, and his decision to walk away, in the New York Observer:

One way of trying to make logical design decisions is through research. Mr. Vinh’s team has been studying traffic patterns on the site and watching test subjects, real readers, in a lab to see how their eyes move across the page when they are reading The Times online.

“I take it all with a grain of salt,” he said. “Everything is so measurable now, theoretically. But the truth of the matter is, there’s never enough data to substitute for raw decision-making abilities. At the end of the day, you still need to make the decision.”

Designing Madison Avenue The New York Review of Books blog on the look of TV show Mad Men:

Among many things that make Mad Men so intriguing is its broad definition of what constitutes design. For example, its cunningly detailed, not-quite-couture female costuming—the B.H. Wragge-style coat-and-dress ensembles, the Koret handbags, the Coro costume jewelry—makes the female characters … seem as if they have stepped straight out of the Sunday New York Times during the twilight of Lester Markel… Equally fanatical attention is paid to interior design. The offices of Sterling Cooper were done up in the spacious, late International Style corporate mode epitomized by the boxy glass-and-steel skyscrapers that rose along Park Avenue after World War II.

And on a somwhat related note, Eleanor Wachtel interviews legendary designer Milton Glaser for CBC Radio. Good stuff.

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Midweek Miscellany

Vintage Dostoevsky, design by Michael Salu

Precisely and Concisely — The Caustic Cover Critic interviews designer and Artistic Director of Granta magazine Michael Salu:

Bizarrely, designers looking for employment are often judged by what software they’re able to use. Intellect, cultural awareness and often creativity don’t seem to be values worthy of a resume. There is no substitute for good ideas, the rest are just supportive tools. I have always been quite a craft-led designer, but I am of the generation that studied with a mac in front of them and I think its good to understand the importance of both.

The Honest Bookseller — Erin Balser of Books in 140 profiles Toronto independent bookstore Ben McNally Books for The Torontoist:

“I’d rather have a book that sells one copy that no one else will sell than to stock several best sellers you can get anywhere,” McNally says. “That’s what makes this store. That’s why people come… My first responsibility is my customer. When I think a book should be cut by a third or if there’s a subplot that goes nowhere, I have to tell you that… I’m often a very critical reader. When people come and ask me ‘Is this any good?’ I have to be honest.”

William Kentridge: Five Themes — Beautiful book design from Abbott Miller and Kristen Spilman at Pentagram.

Speaking of Pentagram… Pentagram partner Paula Scher has some blunt stuff to say about design in a interview with Pr*tty Sh*tty.

The Rules — Inspired by Elmore Leonard’s 10 Rules of Writing, The Guardian asked authors — including Diana Athill, Margaret Atwood, Richard Ford, Jonathan Franzen, Neil Gaiman, and PD James, Hilary Mantel, Michael Moorcock, Philip Pullman, Ian Rankin, Will Self, Sarah Waters, and Jeannette Winterson — for their personal dos and don’ts. (Part two is here).

On the subject of writing, the wonderful BBC radio series The History of the World in a 100 Objects has recently touched on the history of writing, literature, and mathematics in episodes about the Early Writing Tablet, the Flood Tablet and the Rhind Mathematical Papyrus. The series is a collaboration with The British Museum. Great stuff.

Diana Athill, Margaret Atwood, Roddy Doyle, Helen Dunmore, Geoff Dyer, Anne Enright, Richard Ford, Jonathan Franzen, Esther Freud, Neil Gaiman, David Hare, PD James, AL Kennedy
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