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Category: Marketing

One Book, Two Titles

Writing for the Globe and Mail, Claire Cameron, author of The Last Neanderthal, takes a look why at Elisabeth de Mariaffi’s new novel is being packaged differently in Britain and Canada

A novel is like a question – what happens when…? [UK publisher] Titan Books is focusing on what happen when a child goes missing. “There is nothing more terrifying than the loss of a child!” publisher Miranda Jewess says. Meanwhile, HarperCollins Canada publisher Iris Tupholme says, “Our focus in positioning the book is less on the missing child, though that is a key part of the story, and more on the tension and mystery for [the mother] Heike.”

The book was originally titled ‘I Remember You’ when it was sold to the publishers. But when de Mariaffi brought forward ‘Hysteria’ as an alternative, Tupholme loved it because it “suggests the book’s complexity … the story’s focus on women.” Jewess also considered the new title, but thought ‘Hysteria’ “sounded like a more gritty action thriller.”

Both covers do tap into deep-seated fear. But the different focus of those fears may speak more to a transatlantic literary divide, says Kate Pullinger, a Canadian novelist in Britain and professor of creative writing and digital media at Bath Spa University. She sees the two covers as responding to each market for fiction.

“In Canada, the popular writer can remain literary,” but in Britain, though there are exceptions, Pullinger says “literary fiction is increasingly devalued and invisible in the marketplace.” In her view, the British cover is trying to connect to the commercial market; it ties into the tabloid newspaper culture that screams for attention. “Scary Sad Crime Happened Here!”

I seem to spend a lot of time in my professional life trying to explain why titles and covers for Canada (and the US) sometimes need to be different from their counterparts in the UK. I even put together some examples for recent trip to London. So I don’t know that this is a ‘rare’ as Cameron supposes. But, in any case, enough people have expressed interest in this that I am trying to expand that original deck into a more coherent presentation for a few other clients. If I ever get it finished I will share a version of it here. 

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“Remember Those Great Volkswagen Ads?”

volkswagen-lemon

Remember Those Great Volkswagen Ads? is a short documentary about the classic, highly influential ad campaigns created by Manhattan advertising agency Doyle Dane Bernbach (DDB) for Volkwagen in the 1950s and 60s:

(via Kottke)

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Mad Women | The Age of Persuasion

Terry O’Reilly’s radio show Age of Persuasion is always a fascinating half-hour of social history regardless of whether you are interested in advertising or not.

In this recent episode, O’Reilly looks at the great women of the advertising world, including the first advertising woman ever, the woman who created the first images of wives as “Happy Homemakers”, the woman who revolutionized the retail business, and the female creative director who inspired the “I Love New York” campaign.

 

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Under the Influence

In Influencers, a short documentary Paul Rojanathara and Davis Johnson, New York creatives discuss pop culture trends and what makes a person creatively influential:

(via Kitsune Noir and others)

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Incidental Media

I’m not exactly sure how the ideas in these videos by Dentsu London and BERG relate to books and print, but I’m pretty sure they do in some tangential way.

There’s a lovely sense of how new media can connect and adapt old media in interesting, unobtrusive ways, and it seems much more human-shaped than the rather linear idea that a new technologies must replace or destroy existing ones:

(via Russell Davies)

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Lies, Damn Lies, and Statistics

88.2% of statistics are made up on the spot. Or something like that. This neat, animated promotional video for London-based marketing agency Dare uses infographics to make fun of, well, infographics:

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Why Not? Or How We Live-Tweeted Fall 09

Why Not?

One the things that really stuck with me from Michael Tamblyn’s 6 Projects That Could Change Publishing For Ever presentation at the BookNet Tech Forum in March was the idea that publishers have to “place lots of little bets quickly.”

It tied into another idea that’s been kicking around recently about reframing ‘Why?’ questions into ‘Why Not?’ questions. That is to say, whenever we — publishers, book distributors et al — ask “why would we do this?” we should flip the question on it head and ask “why wouldn’t we?”.

This doesn’t mean we should pursue every idea that someone puts forward. Sometimes there will be good reasons not to try something — “it costs too much” and “it’s illegal and/or evil” are perfectly valid reasons that spring to mind to nix something (and no doubt there are  plenty more). But, in my experience, reframing the ‘why?’ question encourages people (me included) to think creatively and be more positive about ideas/projects we might otherwise dismiss out of hand.

#rainfall09

This is all a roundabout way of explaining how I ended up twittering from the  Raincoast Books Fall 09 Sales Conference last week.

Before we got under way on the first morning, a few of the early birds were laughing about using Raincoast’s Twitter account to micro-blog the presentations as they happened. Although it started as a joke, the near-inevitable “why would we?” and “who cares?” questions came up, and that raised the stakes. I turned the questions around and couldn’t actually think of any good reasons why we shouldn’t ‘live tweet’ the conference. I had my laptop, wireless access and a power source, so it seemed easy enough to do. And I figured people would tell me pretty quickly if they were bored and I should stop.

Decision made.

We quickly adopted #rainfall09 (an identifying reference tag for twitter posts or ‘tweets’ which was accidentally shortened to #rainfall on more than one occasion) and,  with some help from my colleague Siobhan, I covered all 3 days of the conference in a series of posts of 140 characters or less.

To people who live their lives online and are accustomed to social media rather than the slightly conservative book publishing world, the response to all this is probably a very sarcastic “big whup”. But sales conferences are not usually open and inclusive, and, needless to say, there was a degree of skepticism and resistance to overcome. Certainly it was experiment for us, if not, admittedly, a very large one. And  we were, as far as I’m aware (and someone please correct me if I am wrong), the first publisher/book distributor to Twitter their entire conference.

20/20

With the benefit of hindsight, the drawbacks were predictable. It was very intensive and time-consuming and I found it was difficult — at least initially —  to interact with the people actually in the room and tweet. I’m sure I missed a lot of nuance and I passed on more than few book samples with the barest of glances. We probably over-tweeted and lost a few followers as a consequence.

That all said, the positive outcomes vastly outweighed the problems. The feedback was overwhelmingly positive. We learnt as we went along — becoming better organized and tweeting less — and we gained far, far more followers than we lost over the 3-day period. Our posts were re-tweeted. Followers asked questions and made requests. We raised awareness of Raincoast, the publishers we work with, and the books we distribute. And we were able to connect with reviewers and bloggers we weren’t previously aware of.

I would do some things differently next time for sure. But, ultimately, it was definitely worth doing.

If you are thinking about live-tweeting your conference, here are my 5 Tips:

  1. Be Prepared — Whilst Twitter is great for spontaneity,  making sure you can set-up  your laptop with internet access, and a power source is essential (our conference days were 10 hours straight). And knowing the books (at least a little) in advance, definitely helps — I was often scrambling to find additional information on particular titles and bookmarking a few pages in my browser in advance would have been a plus.
  2. Be selective — Raincoast Books is primarily a distributor. We have something like a thousand titles a season from a variety of publishers. It is impossible to tweet about all of them, and it became quickly apparent it isn’t desirable to try. Our followers just wanted the highlights.
  3. Link — Readers also wanted links to more details if a title caught their eye. I had publisher websites and google open in separate tabs at all times. Even so, linking wasn’t always possible. Put your marketing materials online early and encourage your authors to update their sites (and join Twitter!).
  4. Be creative — If you can’t get your marketing material for your key titles online before conference, or something comes out of left-field, use the resources you do have to find an interesting work-around. When we had some very immediate reader interest in a book called The Quotable Douchebag and there was no information available online, the publisher Quirk Books quickly threw up a blog post with details.
  5. Tool-Up — Twitter management tools like TweetDeck and HootSuite are always useful for professional Twittering, but being able to quickly monitor replies, retweets, and references, not to mention conveniently shorten URLs was essential during conference.

Did you follow @RaincoastBooks or #rainfall09 last week? If so, how did you think it went? What could we do better next time? Leave a comment below or email me.

Note: This is my personal blog, and this post is my personal opinion. Neither reflect the opinion or official policy of Raincoast Books.

Illustrations from the Inspired Magazine Social Bird Icon Set (From the top: Chimero’s Birdie by Frank Chimero, Burdy by Tad Carpenter, and Jacque by Jessica Gonacha).

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Midweek Miscellany Feb 18th, 2009

 

Typographic Trees — I saw pictures of the latest collaboration between artist Gordon Young and design studio why not associates a while back, but a mention in the latest issue of Creative Review is the perfect excuse to post a couple of images of these lovely sculptures for Crawley Library in West Sussex. It’s probably worth mentioning that (unsurprisingly) why not also do a nice line book design.

An interview with Allan Kornblum, publisher at nonprofit literary publisher Coffee House Press, is the latest installment in Scott Esposito’s How to Publish in a Recession series  at Conversational Reading:

Now with Borders on the brink, and former readers becoming would-be writers and self-publishing books instead of reading books, a major shake-up was inevitable… The recession isn’t the only factor driving changes in writing and publishing. Writers on the one hand, and book and magazine publishers on the other, are both trying to figure out what the changes in information technology will mean. Will books get shorter, so they can be read on a cell phone? Will nonfiction migrate to ebooks, while literature stays on the printed page? Will backlist titles become downloadable PDFs? Will future desktop printers include binding equipment?

Funeral in Berlin — Possibly the most badass cover ever (pictured above) and part of the amazing collection in the Penguin Paperback Spotters’ Guild Flickr pool (first seen at FFFFound). And funnily enough it is apparently Len Deighton’s 80th Birthday.

30 Novels Worth Buying for the Cover Alone — “A book must stand out on the bookstore bookshelf yet cover designers rarely receive the recognition that authors do.” And  in “appreciation of these unsung artists”, Beth Carswell chooses her 30 favourite fiction covers for AbeBooks.

MinuteMen — a retro-Nintendo-style-arcade-kung-fu-kick-punch-jump-game promoting the new Watchmen movie. Smartass viral marketing if you like that kind of thing. And if you listen closely, that sound you hear is Alan Moore’s teeth grinding away in Northampton. Buy the book.  (via GalleyCat).

How do you define good design? Gary Hustwit, director of Helvetica, interviewed about his new film Objectified at the Dwell Magazine blog:

If it didn’t exist, would anyone really miss it? Would it leave a hole in anyone’s life?

If we asked ourselves this question in publishing more often, how many books would actually get published? And would publishers be in the mess they’re in now? Answers on a postcard please.

And finally, Spy Vibe — a blog dedicated to 1960’s spy style! This is so cool I can’t even be bothered to find a tenuous link to books or publishing (although there surely is one)…

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This Is Where We Live

This Is Where We Live is a wonderfully rich stop-animation video celebrating the 25th anniversary of HarperCollins imprint 4th Estate. The entire video is made from books–or parts of books–published by 4th Estate:


This Is Where We Live from 4th Estate on Vimeo.

A high-definition version of the film (recommended), production stills, and other behind the scenes footage, can be found at the special ’25th Estate’ website. Apt Studio’s Times Emit blog also has details about their involvement in the project.

Link

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Book Design Links, Dec. 1st, 2008

It is very cold, wet and wintry in Toronto today, so here’s some book design related eye-candy to cheer you (me!) up…

Company of Liars by Karen Maitland

Favourite Book Covers of 2008: Joseph Sullivan has published his annual list at the excellent The Book Design Review (BDR). If your new to the BDR make sure you also check out his archived favourites for 2007, 2006, and 2005!

Funnily enough, Fwis’ Covers website has just posted The Microscope and the Eye (pictured) designed by Isaac Tobin who also did the amazing cover for Obsession which is in the BDR list for 2008.

Jacket Mechanical: A nice design blog featuring great book cover designs. Lots of super-cool modernism if you like that sort of thing (which I do).

Speaking of modernism, take a look at Mid-Century Children’s Books a gorgeous retro Flickr set by The Ward-O-Matic (AKA Ward Jenkins).

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Midweek Miscellany, Nov 5, 2008

Konigi has posted a ‘small’ sampling of international front page newspaper coverage of the US Presidential Election (pictured) .   The US Sources are here. It’s hard not to be swept up in the excitement today. Breathtaking. (via SwissMiss)

“Publishing: Media’s Last Diehard?”: James Bridle (apt/booktwo)  has posts his v. interesting notes from a talk at the London School of Economics given by HarperCollins CEO Victoria Barnsley. More at The Bookseller.

“Seven hundred friends, and I was drinking alone”: Toronto author Hal Niedzviecki discovers the fickleness of Facebook friends in the New York Times (via DesignNotes).

Doubleday Dismissals Were Self-Inflicted: The New York Observer examines the recent lay-offs at Random House’s DoubleDay division and looks at the career of their publisher Steve Rubin (via Sarah Weinman).

Science Fiction and Fantasy editor Lou Anders interviewed on the Amazon blog Omnivoracious. What’s the hardest part of his job?

“Saying no to a piece of sheer brilliance because I know that the audience for it is about 200 people. I don’t for a minute believe that commercial and literary concerns are mutually exclusive … But not every worthy work has commercial potential. Trying to find books that fire on all cylinders means saying no to a lot of competent fiction that only fires on one or two. Being determined not to compromise on quality while still being commercially viable means that I am hunting in a very narrow bandwidth and have to read hundreds upon hundreds of submissions to find a very few prizes. I worry that a lifetime of saying no is bad for my karma, and have to remind myself that its the yes that the readers see and they are who I am serving.”

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My Internet (or the importance of contact information)

Ben Terrett’s My Internet (redesigned and posted by Michael at DesignNotes):

My internet also includes clearly accessible contact details from the word go. It’s amazing how often we (marketing monkeys, publishers, media types) get this wrong. My internet doesn’t include contact forms either. I would like to email a person please.

And don’t even get me started on Flash…

Link

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