Skip to content

Category: Books

Book Covers of Note, January 2023

A bit of a quick and dirty post for a wet and dirty January. Sorry.

Age of Vice by Deepti Kapoor; design by Gregg Kulick (Riverhead Books / January 2023)

Bad Cree by Jessica Johns; design Emily Mahon (Doubleday / January 2023)

The Bandit Queens by Parini Shroff; design by Elena Giavaldi (Ballantine Books / January 2023)

This made me think of the opening credits to a movie from the 1960s. I think it’s partly the type, but the colours also reminded me of Maurice Binder’s title sequence of Charade. Maybe it’s more of the overall vibe than anything else?

The Deluge by Stephen Markley; design by Matt Dorfman (Simon & Schuster / January 2023)

I’m not sure why exactly, but this feels like a very Matt Dorfman cover. The ripped paper perhaps?

Different Sound selected and introduced by Lucy Scholes; design by Jo Walker (Pushkin Press / January 2023)

Fieldwork by Iliana Regan; design by Morgan Krehbiel (Agate / January 2023)

Life on Delay by John Hendrikson; design by Oliver Munday (Knopf / January 2023)

Maame by Jessica George; design by Olga Grlic; art by Michelle Durbano (St. Martin’s Press / January 2023)

The New Life by Tom Crewe; design by Jaya Miceli (Scribner / January 2023)

Interestingly, the cover of the UK edition published by Chatto & Windus uses the same photograph but it’s flipped the other way and printed on one of those fancy half dust jackets (forgive me for not remembering their technical name). I believe the design is by Kris Potter.

Really Good, Actually by Monica Heisey; design by Mumtaz Mustafa; art by Sari Shryack (William Morrow & Co / January 2023)

The cover of the UK edition published by Fourth Estate was designed by Jo Thomson. It’s interesting to see the same basic concept executed in two very different styles.

A Sensitive Person by Jáchym Topol; design by Jenny Volvovski (Yale University Press / January 2023)

The cover of Granta edition The Devil’s Workshop by Jáchym Topol designed by Telegramme Studios was on my list of favourite covers back in 2013 (there were some great covers published that year!). Interesting that the colour palettes are similar.

The Terrible Event by David Cohen; design by Design by Committee (Transit Lounge / January 2023)

Comments closed

Notable YA Covers of 2022

I should, at this point, rename this post “Young Adult Book Covers I Saw Last Year, Quite Liked, and Could Find Some Credits For.” It would be accurate.

December turned out to be really busy. It is every year. I’m not sure why it still catches me out. That said, 2022 did seem to be especially busy for reasons far, far too boring to get into here (yes, I got sick amongst other things).

I had thought, in fact, that it might be time to retire this particular annual post. But then I looked around to see what other YA cover lists had been posted and… well, it wasn’t great. If I don’t do it, who will?

This year’s list — like last year’s — is full of illustrated covers. It seems to be the dominant trend, and I would really like someone more knowledgeable than me to profile some of the illustrators and put their work in its proper context. Maybe there is an art book in it for an enterprising publisher, if there isn’t one already? There are so many great covers from the past couple of years to choose from. 1

Anyway, I hope you enjoy this very late look at some of the YA covers of 2022. Feel free to leave your thoughts below.

The Agathas by Kathleen Glasgow and Liz Lawson; design by Alison Impey; art by Spiros Halaris (Delacorte Press / May 2022)

Ain’t Burned All the Bright by Jason Reynolds and Jason Griffin; art by Jason Griffin (Atheneum Books / January 2022)

Anatomy by Dana Schwartz; design by Kerri Resnick; illustration by Zach Meyer (Wednesday Books / January 2022)

As Long as the Lemon Trees Grow by Zoulfa Katouh; art by David Curtis (Little, Brown BYR / September 2022)

Blood and Moonlight by Erin Beaty; design by Veronica Mang; art by Sasha Vinogradova (Farrar, Straus & Giroux BYR / June 2022)

The Chandler Legacies by Abdi Nazemian; design by Corina Lupp; art by Natalie Shaw (Balzer & Bray / February 2022)

Cursed by Marissa Meyer; design by Rich Deas; art by Tim O’Brien (Feiwel & Friends / November 2022)

The same creative team produced the cover of Gilded by Marissa Meyer published last year:

The Dragon’s Promise by Elizabeth Lim; design by Alison Impey; art by Tran Nguyen; lettering by Alix Northrup (Alfred A. Knopf BYR / August 2022)

The cover of Six Crimson Cranes by Elizabeth Lim was on last year’s list.

The Drowned Woods by Emily Lloyd-Jones; design by Jenny Kimura; art by SPIDER MONEY (Little, Brown BYR / August 2022)

Echoes and Empires by Morgan Rhodes; design by Kristie Radwilowicz; art by Leilani Bustamante (Razorbill / January 2022)

Extasia by Claire Legrand; design by Joel Tippie; art by Diego Fernandez (Katherine Tegen Books / February 2022)

A Far Wilder Magic by Allison Saft; design by Kerri Resnick; art by Em Allen (Wednesday Books / March 2022)

Gallant by V. E. Schwab; art by David Curtis (Greenwillow Books / March 2022)

The Girl Who Fell Beneath the Sea by Axie Oh; design by Rich Deas; art by Kuri Huang (Feiwel & Friends / February 2022)

HopePunk by Preston Norton; design Mary Claire Cruz; art by Adams Carvalho (Little, Brown BYR / January 2022)

Hotel Magnifique by Emily J. Taylor; design by Kristie Radwilowicz; art by Jim Tierney (Razorbill / April 2022)

If You Could See the Sun by Ann Liang; design by Gigi Lau; art by Carolina Rodriguez Fuenmayor (Inkyard Press / October 2022)

The Last Laugh by Mindy McGinnis; design by Erin Fitzsimmons; art by Corey Brickley (Katherine Tegen Books / March 2022)

Mindy McGinnis’s backlist titles The Female of the Species and The Initial Insult were also re-jacketed in the same style:

A Magic Steeped in Poison by Judy I Lin; design by Rich Deas; art by Sija Hong (Feiwel & Friends / March 2022)

The sequel, A Venom Dark and Sweet, was published in August with a cover from the same creative team:

Only a Monster by Vanessa Len; design by Jessie Gang; art by Eevien Tan (HarperTeen / February 2022)

Queen of the Tiles by Hanna Alkaf; design by Sarah Creech; art by Leonardo Santamaria (Salaam Reads / April 2022)

The Restless Dark by Erica Waters; design by Jenna Stempel-Lobell; art by Tran Nguyen (HarperTeen / October 2022)

Road of the Lost by Nafiza Azad; design by Sonia Chaghatzbanian (Margaret K. McElderry Books / October 2022)

A Scatter of Light by Malinda Lo; design by Anna Booth; art by Feifei Ruan (Dutton BYR / October 2022)

The Secrets We Keep by Cassie Gustafson; design by Krista Vossen; art by beatriz ramo (Simon & Schuster BYR / November 2022)

Sofi and the Bone Song by Adrienne Tooley; design by Sonia Chaghatzbanian; art by Mona Finden (Margaret K. McElderry Books / April 2022)

Strike the Zither by Joan He; design by Aurora Parlagreco; art by Kuri Huang (Roaring Brook Press / October 2022)

Sugar by Carly Nugent; design by Imogen Stubbs; art by gozitive (Text Publishing / March 2022)

Sugaring Off by Gillian French; design by Aurora Parlagreco; art by Elena Masci (Algonquin YR / November 2022)

This Is Why They Hate Us by Aaron H. Aceves; design by Laurent Linn; art by Goni Montes (Simon & Schuster BYR / August 2022)

This Place is Still Beautiful by XiXi Tian; design by Jessie Gang; art by Robin Har (Balzer & Bray / June 2022)

A Thousand Steps into the Night by Traci Chee; design by Celeste Knudsen; art by Kotaro Chiba (Clarion Books / March 2022)

Trigger by N. Griffin; art by Dan Burgess (Atheneum Books / March 2022)

This reminded me of Dan Burgess’s art for Red Wolf by Rachel Vincent from last year. The lesson is, spectral trees are very spooky.

We All Fall Down by Rose Szabo; design by Aurora Parlagreco; art by Corey Brickley (Farrar, Straus & Giroux BYR / June 2022)

We Deserve Monuments by Jas Hammonds; design by Beth Clark and Sarah Kaufman; art by Laylie Frazier (Roaring Brook Press / November 2022)

The Weight of Blood by Tiffany D. Jackson; design by Erin Fitzsimmons; art by Jeff Manning (Katherine Tegen Books / September 2022)

Comments closed

ABCD X

Founded by designers Jon Gray and Jamie Keenan, the Academy of British Cover Design (ABCD) held its first book cover design competition in 2014. To celebrate its tenth awards ceremony this year (where does the time go?), the Academy has decided to allow regular folks to vote for a ‘Winner of All Winners’ from the last nine years – ABCD X.

Committed to making the awards to be as inclusive as possible, ABCD includes categories that frequently get overlooked by other competitions, and the work itself is judged by book cover designers themselves, so there is a diverse selection of winning cover to choose from including children’s books, science fiction and fantasy, series design and non-fiction.

Entries to this year’s regular competition, ABCD’23, are also now open.

The winners of both ABCD X and ABCD’23 with be announced at an awards ceremony on the 23 March.

Comments closed

The Book Cover Review

Designer David Pearson and friends have launched a new website for 500-word (or thereabouts) reviews of book covers from the past and present.

There are a lot names you will be familiar with among the reviewers. I particularly enjoyed John Gall‘s review of the cover for The Franchiser by Stanley Elkin designed by relative unknown Lawrence Ratzkin for Farrrar, Straus & Giroux in 1976:

“Cover design in the US went from being house-styled, design driven and idiosyncratic (think Grove Press or New Directions or whatever Push Pin was up to) to the ‘big book look’ of the 1970s defined by designers like Paul Bacon. Make the type as large as possible, centre it, and combine with some non-specific imagery. That look still defines what we see on the bestseller list to this day. It established a generic way for covers to look and a familiar shorthand for sales teams and booksellers to understand – ‘aah, this must be a … big book!’. It ignored design principles of layout, composition and conceptual thinking that had been codified over the previous 50 years in favour of a commercial literal-ness. It also took away a lot of the fun.”

Jamie Keenan’s review of Joe Orton and Kenneth Halliwell’s naughty cover for The Secret of Chimneys by Agatha Christie is also a good time.

2 Comments

Notable Book Covers of 2022

2022. Twenty twenty-two. Two thousand and twenty-two… “Where did it go?” Or, sobbing, “ are we done yet?” It feels like both. It’s been a year that’s simultaneously dragged on interminably and disappeared in a cognitive blur.

I’m glad other people have already written about it.

At Creative Review, writer and editor Mark Sinclair picked his favourite covers of 2022 and reflected on industry trends in the UK, including the Design Publishing & Inclusivity mentorship program for under-represented creatives launched this year by Ebyan Egal, Donna Payne, and Steve Panton.

Literary Hub posted the best covers of the year as chosen by 31 designers. With a comprehensive 103 covers on the list, it tacitly poses the annual question “what do I have left to add to this conversation?” LitHub have been posting these lists for seven years apparently. I am an ancient desiccated husk.

Fast Company and the Washington Post asked slightly smaller groups of designers to write about their favourites covers.

Jason Kottke, back from sabbatical, posted his selections for 2022. I gather that Spine’s list is imminent.

Designer and art director Matt Dorfman chose the best book covers of 2022 for the New York Times, and empathized with the plight of the designers:

Most often, any personal stylistic expressions in their work are swallowed up in service to the multiple masters — editors, marketing directors, sales teams — who sign off on a book’s cover. There is also the matter of adhering to any one publisher’s dos and don’ts, which can inform mandates about typography, color palettes and production flourishes like embossing or metallic inks. For people employed in a theoretically creative pursuit, designers’ talents are often defined by how effortlessly they can make themselves disappear to serve the book.

Matt Dorfman, New York Times

No one captured the prevailing mood better than this Tom Gauld cartoon. A reminder, if one were needed, that nobody knows anything.

Earlier in the year, Australian reporter Rafqa Touma called out the trend of ‘well dressed and distressed’ young women on covers. As designer Mietta Yans notes, the covers often reflect their books’ stylish and sad protagonists, so I’m not sure this one is on the art departments.

Last year we had book blobs; this year we got more “ominous blobs” just to add to everyone’s existential dread.

Some of the trends I’ve talked about before spilled over into 2022. Collage, painting (contemporary, and historical — often tightly cropped), big skies, landscapes and seascapes, black and white photography (not just for LGBTQ+ trauma!), retro-ness, idiosyncratic display typefaces. Orange. Pink was in vogue too. The Instagram-ish combination of both pink and orange (sometimes with deep purple-ish blues too) seemed to be very much a thing this year. I suspect this is what happens when you ask designers to make things “pop” one too many times.

It is hard to know if these are genuine trends, or if it is just the stuff I notice. I’m sure there are things going on with commercial covers that I don’t pay enough attention to (although I will not be sad to see the popularity of that flat illustration style — the one that Slate pointed out in TWO THOUSAND AND FIFTEEN! — eventually fade away). I certainly don’t get the sense that everything looks the same, which is often the criticism. There is still room for a little weirdness and that can only be a good thing…

Best of Friends by Kamila Shamsie; design by Lauren Peters-Collaer (Riverhead / September 2022)

Also designed by Lauren Peters-Collaer:


Boy Friends by Michael Pedersen; design by Gray 318; illustration by Nathaniel Russell (Faber & Faber / July 2022)

Brother Alive by Zain Khalid; design by Jo Walker (Grove Press UK / August 2022)

A Calm & Normal Heart by Chelsea T. Hicks; design by Jaya Nicely (Unnamed Press / June 2022)

Carnality by Lina Wolff; design by Tyler Comrie (Other Press / July 2022)

The Bloater by Rosemary Tonks; design by Oliver Munday (New Directions / September 2022)

Also designed by Oliver Munday:


The Ghetto Within by Santiago H. Amigorena; design by Mike McQuade (HarperVia / August 2022)

A Girlhood by Carolyn Hays; design by Mel Four (Blair / September 2022)

The Haunting of Hajji Hotak by Jamil Jan Kochai; design by Zak Tebbal (Viking / July 2022)

How High We Go in the Dark by Sequoia Nagamatsu; design by Will Staehle (William Morrow & Co. / January 2022)

I Want to Keep Smashing Myself Until I Am Whole by Elias Canetti, edited by Joshua Cohen; design by Alex Merto; illustration Ian Woods (Picador USA / September 2022)

Also designed by Alex Merto:


Joan by Katherine J. Chen; design by Holly Ovenden (Hodder & Stoughton / July 2022)

The Last White Man by Mohsin Hamid; design by Ahlawat Gunjan (India Hamish Hamilton / August 2022)

The Last White Man by Mohsin Hamid; design by Chris Bentham (Hamish Hamilton / August 2022).

Lessons by Ian McEwan; design by Suzanne Dean; illustration by Tina Berning (Jonathan Cape / September 2022)

Also designed by Suzanne Dean:

The Julian Barnes cover also came in blue, and under the die-cut jacket is a beautiful photo from René Groebli’s photoessay The Eye of Love.


A Little Piece of Mind by Giles Paley-Phillips; design by Tree Abraham (Unbound / June 2022)

Tree had her own book, Cyclettes, published this year. You can read about the process of designing her own cover over at Spine.

No Land in Sight by Charles Simic; design by John Gall; photograph by Michael Kenna (Knopf / August 2022)

Also designed by John Gall:


O Caledonia by Elspeth Barker; design by Tristan Offit (Scribner / September 2022)

Also designed by Tristan Offit:


Offended Sensibilities by Alisa Ganieva; design by Emily Mahon (Deep Vellum / November 2022)

Our Wives Under the Sea by Julia Armfield; design by Ami Smithson (Picador / March 2022)

I also really liked Ami’s cover for the UK edition of New Animal by Ella Baxter.

The Pink Hotel by Liska Jacobs; design by June Park; (MCD / July 2022)

Also designed by June Park:


Pure Colour by Sheila Heti; design by Na Kim (Farrar, Straus & Giroux / February 2022)

Also designed by Na Kim:


The Raptures by Jan Carson; design by Irene Martinez Costa (Doubleday UK / January 2022)

The Red Zone by Chloe Caldwell; design by Michael Salu (Soft Skull Press / April 2022)

Sacrificio by Ernesto Mestre-Reed; design by Dana Li (SoHo Press / September 2022)

Also designed by Dana Li:


Shit Cassandra Saw by Gwen E. Kirby; design and illustration by Lydia Ortiz (Penguin Books / January 2022)

This is like hallucinatory nightmare vision of the Francis Cugat illustration on the cover of The Great Gatsby first edition.

Solenoid by Mircea Cărtărescu; design by Anna Jordan (Deep Vellum / October 2022)

The Status Game by Will Storr; design by Steve Leard (William Collins / July 2022)

True Biz by Sara Novic; design by Jack Smyth (Little, Brown / April 2022)

Jack did a lot of great covers this year. I could easily have posted a couple more with no dip in quality:


Trust by Hernan Diaz; design by Katie Tooke (Picador / August 2022)

The New York skyline was printed onto the edges of the books and then photographed for this one.

Walk the Vanished Earth by Erin Swan; design by Elizabeth Yaffe (Viking / May 2022)

The Waste Land by Matthew Hollis; design by Jamie Keenan (Faber & Faber / October 2022)

Watergate by Garrett M. Graff; design by Alison Forner (Avid Reader Press / February 2022)

Weasels in the Attic by Hiroko Oyamada; design by Luke Bird (Granta / November 2022)

Also designed by Luke Bird:


White Bull by Elizabeth Hughey; design by Alban Fischer (Sarabande Books / January 2022)

Also designed by Alban Fischer:

You can read about Alban’s design process for Till the Wheels Come Off at Spine.


Worn by Sofi Thanhauser; design by Janet Hansen (Pantheon / January 2022)

Also designed by Janet Hansen:


Yoga by Emmanuel Carrère; design by Rodrigo Corral (Farrar, Straus & Giroux / August 2022)

Also designed by Rodrigo Corral:


You Have a Friend in 10A by Maggie Shipstead; design by Kelly Blair; illustration by Toby Leigh (Knopf / May 2022)

You Made a Fool of Death With Your Beauty by Akwaeke Emezi; design by Anna Morrison (Faber and Faber / May 2022)

Young Mungo by Douglas Stuart; design by Christopher Moisan; photograph by Kyle Thompson (Grove Press / April 2022)

Comments closed

Book Covers of Note, October 2022

This month’s post includes a few covers that I missed earlier in the year along side the new and recent releases. I’m starting to think about my annual recap so please let me know if you think I’ve overlooked any other particularly notable covers that stood out for you and/or seemed emblematic of wider trends in 2022.

And just a reminder with all the stuff going on with social media that if you’d prefer to get new posts auto-magically emailed to you, you can subscribe here. I have also re-opened comments on new posts after closing them for a few months if you want to politely share your thoughts below.

Africa Risen by Sheree Renée Thomas, Oghenechovwe Donald Ekpeki and Zelda Knight; design by Christine Foltzer; art by Manzi Jackson (Tordotcom / November 2022)

Alindarka’s Children by Alhierd Bacharevic; design by Pablo Delcan (New Directions / June 2022)

The Come Up by Jonathan Abrams; design by Chris Allen (Crown / October 2022)

Diary of a Misfit by Casey Parks; design by Janet Hansen (Knopf / August 2022)

Ejaculate Responsibly by Gabrielle Blair; design Studio Eight and a Half (Workman / October 2022)

Feral City by Jeremiah Moss; design by Gregg Kulick (W.W. Norton / October 2022)

I’ve noted before that pink is a bit of a thing at the moment, but it’s kind of interesting that it’s being used on ‘grittier’ books…

Ghost Music by An Yu; design Suzanne Dean (Harvill Secker / November 2022)

Night of the Living Rez by Morgan Talty; design by Diane Chonette (Tin House / July 2022)

No Land in Sight by Charles Simic; design by John Gall (Knopf / August 2022)”

“Fuuuuuuuuuck….!” is the only way I can describe the mixture of awe and annoyance that I hadn’t thought of it I felt when I saw this cover. So simple and so clever.

O Caledonia by Elspeth Barker; design by Tristan Offit (Scribner / September 2022)

This has a very similar ‘obscured face collage’ feel to Tristan Offit’s cover for Briefly, A Delicious Life by Nell Stevens, which I thought I had posted here earlier in the year but apparently did not (probably because I didn’t — and still don’t! — know who designed the cover of the UK edition (it was designed by Mel Four, photograph by Marta Bevacqua) and I wanted to post them together?).

Pacifique by Sarah L. Taggart; design by Natalie Olsen (Coach House Books / October 2022)

People Person by Candice Carty-Williams; design by Emma A. Van Deun (Scout Press / September 2022)

The Singularities by John Banville; design by John Gall (Knopf / October 2022)

I don’t know if this actually reminds me of another cover, or if it’s just very Gallsian.

But actual blobs (as opposed to ‘book blobs‘) are a thing…

Solenoid by Mircea Cărtărescu; design by Anna Jordan (Deep Vellum / October 2022)

Toad by Katherine Dunn; design by June Park; illustration by Lydia Ortiz (MCD / November 2022)

Waiting for Ted by Marieka Bigg; design by Luke Bird (Cinder House / October 2022)

The Wall by Marlen Haushofer; design by Matt Dorfman (New Directions / June 2022)

The Waste Land by Matthew Hollis; design by Jamie Keenan (Faber & Faber / October 2022)

Mr. Keenan also designed the cover for the Liveright edition of The Waste Land itself a few years ago.

(The US edition of Matthew Hollis’s book, forthcoming from W. W. Norton, also has an interesting cover. If anyone from Norton would like to send me a hi-res image with the design credit, I’ll be happy to add it in!)

Weasels in the Attic by Hiroko Oyamada; design by Luke Bird (Granta / November 2022)

Comments closed

The Perfect Book Cover by Tom Gauld

Tom Gauld for the Guardian.

I think pretty much every book cover designer I know shared this over the weekend. Every British one at least…

Tom’s latest collection of literary cartoons, Revenge of the Librarians, is out now.

Comments closed

Our Town’s Libraries by Tom Gauld

Tom Gauld for the New York Times.

Tom’s new book, coincidentally called Revenge of the Librarians, is out now.

Comments closed

The Skull by Jon Klassen

Author and illustrator Jon Klassen recently announced that his new book The Skull will be available from Candlewick Press in July, 2023. A whopping 115 pages, and based on a folktale Klassen read in a library before an event in Alaska (a great story in itself!), it tells the tale of a girl who runs away from home and befriends a talking skull she finds alone in a house in the woods. It is as spooky and macabre as it sounds, and totally worth the wait!

Jon Klassen’s latest book with Mac Barnett, The Three Billy Goats Gruff, was published this month.

Comments closed

Book Covers of Note, September 2022

Busy month. Lots of book covers. Gotta go…

Barred by Daniel S. Medwed; design by Chin-Yee Lai (Basic Books / September 2022)

Bliss Montage by Ling Ma; design by Rodrigo Corral (Farrar, Straus & Giroux / September 2022)

Rodrigo Corral also designed the cover of Ling Ma’s previous novel Severance.

Canción by Eduardo Halfon; design by Alban Fischer (Bellevue Literary Press / September 2022)

Drive by James Sallis; design by David Litman (Poisoned Pen Press / September 2022)

I was just talking about this book — how it is a near perfect thriller, but also great for dudes who don’t read a lot of fiction — so I was happy to see it’s been given a new lick of paint. And pink covers are, as I keep saying ad nauseam, a thing…

Fingers Crossed by Miki Berenyi; design by Paul Palmer-Edwards photo Jurgen Ostarhild (Nine Eight Books / September 2022)

I’m including this because of the beautiful photo (with a colour palette remarkably on trend in 2022) and my inevitable teenage crush on indie style icon Miki from Lush.

I Want to Keep Smashing Myself Until I Am Whole by Elias Canetti, edited by Joshua Cohen; design by Alex Merto; illustration Ian Woods (Picador USA / September 2022)

This collage is incredible.

A Girlhood by Carolyn Hays; design by Mel Four (Blair / September 2022)

Kick the Latch by Kathryn Scanlan; design by John Gall (New Directions / September 2022)

Lessons by Ian McEwan; design by Suzanne Dean; illustration by Tina Berning (Jonathan Cape / September 2022)

Modern Fables by Mikka Jacobsen; design by Natalie Olsen (Freehand Books / September 2022)

Perish by Latoya Watkins; design by Grace Han (Tiny Reparations / August 2022)

Poūkahangatus by Tayi Tibble; design by Linda Huang; art by Simone Noronha (Knopf / July 2022)

Sacrificio by Ernesto Mestre-Reed; design by Dana Li (SoHo Press / September 2022)

This reminded me Peter Mendelsund‘s Amerika cover for Schocken back in the day. But, as is the norm around here, the two covers do not actually look that much alike side by side…

Strangers to Ourselves by Rachel Aviv; design by Rodrigo Corral (Farrar, Straus & Giroux / September 2022)

We Spread by Iain Reid; design by Chelsea McGuckin (Scout Press / September 2022)

Are letters growing roots a mini-thing?

Worn Out by Alyssa Hardy; design by Emily Mahon; embroidery and dyeing by Alex Stikeleather (New Press / September 2022)

Comments closed

Love and Rockets: The Story Behind the Great American Comic

A documentary on the Hernandez Brother’s groundbreaking alternative comic Love & Rockets will launch the new season of KCET’s art and culture series Artbound, streaming on the PBS app October 5, 2022.

Love & Rockets turns 40 this year, and if you have $400 USD burning a hole in your pocket, Fantagraphics are collecting together bound facsimiles of the original fifty issues in a special eight-volume boxed set. (Although I would settle for a slightly more affordable Love and Rockets #24 t-shirt myself!)

Comments closed