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Christoph Niemann’s “Critical Mass”

After posting Chris Ware’s pandemic cover for The New Yorker earlier this week, I remembered I had also meant to post Christoph Niemann’s “Critical Mass” cover from two weeks ago. It may not pull at your heart strings the way Ware’s cover does, but it’s a brilliant and prescient illustration of the pandemic.

I believe that the best concepts develop in the process of drawing. I don’t usually have ideas pop in my head fully formed when I’m not at my desk. Yet the genesis for this image, the idea of a sneezing domino standing on top of a globe packed with other domino pieces, came to me when I was lying in bed, trying to fall asleep… I got up again and sketched down the idea. Only the next day, when I sat down to turn the concept into a proper art work, did I realize that the globe and the pieces actually resemble a virus. In the end, it still proves my theory that all decent ideas come together when you actually draw them.