The Casual Optimist

Books, Design and Culture

David Pearson on Books and Typography

| 0 comments

At the Monotype blog, Theo Inglis talks to designer David Pearson about his career and his type-centric approach to book covers:

We are increasingly being urged to create objects of desire and the cover obviously plays a key role here, especially when a book is aiming for pride of place in a bookshop. Designers visit them regularly, to note the common visual language of related or competing titles. It can be a source of frustration then, when presenting a contrasting or conflicting design aimed at standing out, only to be asked to produce a copycat cover intended to hitch on the success of the latest best-seller. Booksellers often create themed displays dedicated to the latest hot trend, see Hygge for example. Publishers are all-too aware of this and often the pursuit of a like-for-like cover is their priority… Being allowed to use ‘just type’ will always be dependent on what books are blazing a commercial trail… Jon Gray’s cover for Swing Time and John Gall’s for Norwegian Wood, to take two current examples, prove to publishers that the mass market can handle bold, type-driven design and so this approach will be validated for a time. 

You read my 2009(!) Q & A with David here

Similar Posts:

Leave a Reply