The Casual Optimist

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Robert Frank: The Man Who Saw America

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Katy Grannan for The New York Times

This weekend’s New York Times Magazine has a remarkable profile of photographer and filmmaker Robert Frank by writer Nicholas Dawidoff:

Frank absorbed artistic influences all over New York. Edward Hopper’s moody office-scapes, restaurant interiors and gas pumps were not in fashion when Frank discovered the painter: ‘‘So clear and so decisive. The human form in it. You look twice — what’s this guy waiting for? What’s he looking at? The simplicity of two facing each other. A man in a chair.’’ Frank’s creative day to day was informed by the Abstract Expressionist painters he lived among. Through his window, Frank studied Willem de Kooning pacing his studio in his underwear, pausing at his easel and then walking the floor some more. ‘‘I was a very silent unobserved watcher of this man at work. It meant a lot to me. It encouraged me to pace up and down and struggle.’’ He also saw the downside of an artist’s life: ‘‘I used to watch de Kooning work, and then I’d walk down the street and see him drinking and lying in the gutter. Somebody’s bringing him upstairs. You drink because you have doubts. Things seem to crumble around you.’’

Online, the Times also revisits The Americans, Frank’s best known work and “one of the most influential photography books of all time.”

“Parade — Hoboken, New Jersey,” 1955. Robert Frank

“Parade — Hoboken, New Jersey,” 1955. Robert Frank

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