I missed this when it was posted last month: Brian Dillon on New York photographer Saul Leiter, who died on November 26th, for the London Review of Books blog:
Leiter used cheap film that gave his images a muted quality, and the slowness of the stock made it harder to capture the momentary dramas of the street that Klein or Cartier-Bresson could freeze in fast black and white. Technical constraints cannot, however, quite explain what Leiter did with colour and composition. Time and again in the 1950s he depicts New York under snow, with just a red umbrella or a pair of temporary stop lights to punctuate the dirty white. He used the whitewashed windows of defunct stores to silhouette the odd scurrying figure, little more than a smudge of overcoat, shopping bags or another umbrella – always umbrellas. He was a connoisseur of the effects of condensation.
- Teju Cole on Photographer Saul Leiter, November 28, 2013
- William Eggleston, the Pioneer of Color Photography, October 20, 2016
- TateShots Bruce Davidson’s Subway, May 17, 2012