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Midweek Miscellany

The cover for Hope: A Tragedy by Shalom Auslander designed by John Gall.

The Invisible Man — Lee Konstantinou, author of Pop Apocalypse, reviews Art Spiegelman’s MetaMaus for the LA Review of Books:

[T]here is something obsessive about MetaMaus, which says as much about the price of success in the contemporary literary marketplace — and its attendant culture of celebrity authorship — as it does about its subject. When a book like Maus makes a big impact, we often condemn its creator never to move on to new projects. MetaMaus give evidence that Spiegelman has endured a fate not unlike that of Ralph Ellison after he published Invisible Man in 1952. Like Ellison, Spiegelman has rightly earned enormous praise, and, also like Ellison, he has become his own best interpreter. But just as Ellison produced no major work after Invisible Man other than the unfinished, posthumously published Juneteenth…, Spiegelman has yet to produce a work of comparable depth and sophistication to Maus.

The Road — Julie Bosman on the future of Barnes & Noble for The New York Times:

If something were to happen to Barnes & Noble, if it were merely to scale back its ambitions, Amazon could become even more powerful and — well, the very thought makes publishers queasy.

“It would be like ‘The Road,’ ” one publishing executive in New York said, half-jokingly, referring to the Cormac McCarthy novel. “The post-apocalyptic world of publishing, with publishers pushing shopping carts down Broadway.”

…Without Barnes & Noble, the publishers’ marketing proposition crumbles. The idea that publishers can spot, mold and publicize new talent, then get someone to buy books at prices that actually makes economic sense, suddenly seems a reach. Marketing books via Twitter, and relying on reviews, advertising and perhaps an appearance on the “Today” show doesn’t sound like a winning plan.

See also: B & N won’t sell books from Amazon Publishing and Amazon’s Revenue Slumps.

And finally…

The fascinating first article in a year-long series on the inner-workings of Canadian publisher House of Anansi Press by Mark Medley for the National Post:

A significant amount of time is spent discussing paperback editions of books that recently came out in hardcover. “Right now, we’re seeing the market is really and truly paperback and e-book,” [publisher] MacLachlan says. “So, we have some hardcovers that we thought would [sell] in the fall that haven’t gone as well as they should. And so, rather than wait a whole year to reintroduce the book into the marketplace, let’s do a paperback edition sooner than later.”