Vintage Books (US) recently announced Vintage Shorts, a series of stories, excerpts and other short pieces exclusively available as eBooks. The bold, geometric ‘covers’ were designed by the talented Joan Wong.
How War Begins by John Keegan
Jack Firebrace’s War by Sebastian Faulks
Moral Disorder by Margaret Atwood
And, in case you were wondering, the typeface is Agenda, designed by Greg Thompson for Font Bureau. Apparently it was inspired by Edward Johnston’s typeface for the London Underground, so no wonder I like it!
Mr. Mendelsund has long been regarded as one of the top book designers at work today, taking his place alongside design luminaries like Chip Kidd, Alvin Lustig and George Salter. Now, he’s making his debut as a writer, with two books coming out next week. Both explore the peculiar challenges of transforming words into images, and blend illustrations with philosophy, literary criticism and design theory.
In “What We See When We Read,” which is being published by Vintage Books next Tuesday, Mr. Mendelsund tackles the mysterious way text yields vivid mental pictures, even when the author supplies very little visual detail. Most readers, for instance, feel as if they can perfectly describe Anna Karenina, even though Tolstoy gives us little more than gray eyes, thick lashes and curly brown hair. In short, illustrated chapters, Mr. Mendelsund argues that reading is an act of co-creation, and that our impressions of characters and places owe as much to our own memory and experience as to the descriptive powers of authors.
On the same day, PowerHouse Books is releasing “Cover,” a 267-page coffee-table book with more than 300 of Mr. Mendelsund’s most arresting book jackets, and dozens of rejected drafts. The images are interspersed with notes on his process, along with essays by authors of some of the featured books, including the best-selling Norwegian crime writer Jo Nesbo and James Gleick, author of the nonfiction books “Chaos” and “The Information.”
Church of Type is the new letterpress studio in Santa Monica, California, of veteran designer and printmaker Kevin Bradley. In this lovely short film, Bradley talks about relocating to Los Angeles, typography, the printing press, and making things by hand:
The Book Design Awards are Australia’s longest running graphic design awards, but in 2013 the Australian Publishing Association decided to discontinue them. To keep the awards running for a 62nd consecutive year, a group of Australian designers formed the ABDA as an independent, non-profit entity in March 2014.
The brilliant Jason Booher, whose cover for A History of Histories featured in my previous post, kindly just sent me his original design for the book. I think this could be the meta-cover to end all meta-covers. Sadly, the editor decided it might be a little too much of a good thing.
It started, innocently enough, with a tweet from my friend Steven Beattie, book review editor of Canada’s Quill & Quire magazine, about the cover of The Most Dangerous Book, Kevin Birmingham’s new ‘biography’ of Ulysses by James Joyce, designed by Ben Wiseman (Penguin June 2014).
What follows is an attempt to showcase some of different ways designers incorporate books into their cover designs. Along side covers from the past five years, I’ve included some earlier examples from Joe’s post, and this post about ‘meta-covers’ from HTML Giant. Many of the images of the older titles are small (and some are just not very good), but where I have been able to source a larger image, I’ve included it at full (or close to full) size. I’m indebted to the Book Cover Archive, which is still an invaluable resources after all this time, Ferran Lopez‘s (also mothballed) Jacket Museum, and all the designers and book folk who sent me cover images, and helped me in numerous other ways. Thank you. This isn’t comprehensive survey but, to be honest, I had to stop somewhere…
Front and Center
A Concise Chinese-English Dictionary for Lovers by Xiaolu Guo; design by Gabriele Wilson (Vintage, June 2008)
A History of Histories by John Burrow; design by Jason Booher (Knopf, April 2008)
The Middle Stories by Sheila Heti; design by Bill Douglas (House of Anansi, October 2002)
Off the Page edited by Carole Burns; design by Darren Haggar (W. W. Norton, December 2007)
The Paris Review Book of People with Problems; design by Henry Sene Yee (Picador, July 2005)
If you follow me at all on Twitter, you’ll know that I’m working on a post about meta-covers, or book covers with books on them. It’s proving to be a much more difficult task than I first imagined, and it’s taking a very long time to pull it all together. It is, finally, almost done, and I hope it will be on the blog in the next couple of weeks. In the meantime, however, I came across these remarkable book posters by German designer Gunter Rambow for S. Fischer Verlag from the 1970s while compiling images for the post, and I thought I would share them now while you wait.
There is also a book, Gunter Rambow: Plakate / Posters, that collects Rambow’s posters from 1962 to 2007 when the Museum fur Angewandte Kunst Frankfurt mounted a major exhibition to his work.
Next month, the fine folks at Gestalten are publishing Hello, I Am Erik, a ‘visual biography’ of typographer and designer Erik Spiekermann. In this new interview with GestaltenTV, Spiekermann talks about his 30 year career, and how working with blocks of movable type is different from designing on a screen:
In this new short film for The Creative Influence documentary series, designer Michael Bierut talks about his mentor Massimo Vignelli, what makes an enduring logo, and how the internet has changed the way we work: